• making plans

    making plans

    The architect in me loves to plan— to figure things out before the actual construction begins. The sketchbook becomes a kind of refuge: a place of shelter or protection from danger, difficulty, or trouble. Mostly, it’s about a conversation, an approach, a quiet “good to meet you.” As I feel my way through a concept, it becomes a guide…

  • right place, right time

    right place, right time

    Right Place, Right TimeReflections on How Pictures Work by Molly Bang I began my study with Molly Bang’s How Pictures Work. Her principles illuminate the importance of intentionality in visual composition — how the placement of shapes and the organization of elements convey emotion and meaning. As I read, I took careful notes to internalize her ideas. Bang’s Little…

  • EDGES

    EDGES

  • who am i?

    who am i?

    Today’s goal was to draw in the style of….an artist. Now, there are so many to choose; how do you choose? I chose Carol Marine. A work of art I purchased a decade or so that has certainly ‘stood the test of time.’ Why would any artist try this exercise? Here is what the day…

  • Gathering Evidence

    Gathering Evidence

    ‘Pay attention. Be astonished. Tell about it.’ Mary Oliver Let’s set the rules. Go outside. No expectations. Be astonished. Gather. For me, plein air work is just that: work. I gather evidence. No expectations on creating a masterpiece but instead to gather. I am out there, and yes, my senses wake up and I see,…